Walter Benjamin’s strategy in the Theses on the Philosophy of History was to focus on a non-human moment in human time and to present this instance on blast in his prose style. What I mean by “blast” here is the fact that the message had to be pirated past ideological hangers-on and historical barriers, past both Marxist and theotropic renditions, and also past the Nazi episode that might have been his more obvious target in 1940. His prose is clear but depth-charged, resonates at another frequency, still as if exploded past the imaginary proscriptions of Theodor Adorno, who was already in situ in New York …