GIDEST: The Tar Sands Songbook
The work of Tanya Kalmanovitch
In her documentary play The Tar Sands Songbook, musician, ethnomusicologist, Associate Professor at The New School’s College of Performing Arts, and 2017-18 GIDEST fellow Tanya Kalmanovitch uses strategies from the creative and performing arts, ethnography, and design to invite participants into an imaginative, critical process of unnerving the intimate relationship of oil and modernity. In 2016, Tanya returned to her birthplace of Fort McMurray, Alberta, to gather stories from dozens of people whose lives have been marked by living and working close to the Athabasca Oil Sands. Their stories, joined with her own, form the basis of a new documentary play and a body of musical works that make the causes and costs of energy impasse both visible and audible.
Also for you:
Established musicians are speaking up about the state of the music world, and they are not...
“One thought alone preoccupies the submerged mind of Empire: how not to end, how not to di...
"I merely took the energy it takes to pout, and I wrote some blues." -Duke Ellin...
The campy, nostalgic, Hollywood-inspired works of young(ish) artist Alex Israel would not ...