Arts & DesignEssaysLiberal Democracy in Question

Can Architecture be Democratic?

The tension between The People and their places

Can architecture be democratic? Most people would readily agree that the built environment is bound to be political. Yet in the popular imagination the combination of “architecture” and “politics” tends to conjure up distinctly undemocratic figures: totalitarian leaders designing monumental edifices and avenues for eternity. And if authoritarians fancy themselves as architects, so a certain logic goes, architects often act like authoritarians: at best they might create something for the people, but not anything meaningfully seen as of the people and certainly not by the people. And yet there are ways of judging architecture and space to be more or less democratic — and, to some extent, practical strategies to render architecture (and also urban planning) democratic. These are bound to become ever more important in the twenty-first century, as our age is one of unprecedented urbanization and hence new planning and building challenges around the globe. …

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EssaysLiberal Democracy in Question

Gezi Resistance: Re-claiming Democracy

A prominent political theorist, Judith Shklar, once said that the rule of law has become “a self-congratulatory rhetorical device” [1] used by the politicians, who try to legitimize whatever they do just by uttering the word “the rule of law.” I think we can say the same thing for democracy as well. In Turkey, every political party aims for democracy. Even the military suspended democratic politics with the claim of saving it. The Gezi protests are accepted as an instance of democratic politics, and Erdogan sees himself as the gatekeeper of democratic politics allowing no one in. What I am trying to do here is to provide a perspective from which we can analyze the AKP (the Justice and Development Party) and its relation to democracy on the one hand, and the impact of the Gezi, on the other. In doing this, I will draw on three thinkers and their ideas of democracy, namely Carl Schmitt, Claude Lefort and Jacques Ranciere.

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