Alarmingly a question being increasingly asked is whether democracy has failed in Africa, or similarly, whether democracy is unworkable or perhaps not suitable for Africa: this, given the fact that many African countries, which are supposedly democratic, are characterised by dreadful human rights abuses, ethnic conflicts, life presidents and economic chaos.
Many African leaders wrongly argue that democracy is “unAfrican,” “Western” or somehow anti-African “culture.” China’s economic rise without democracy appears to have emboldened those who argue that Africa should push for development first, and think about building democracy later. …
For Edward J. Snowden and Chelsea Manning (formerly Bradley): Heroes of transnational publicity — in gratitude and with admiration.
One strategy for reimagining public sphere theory in the current conjuncture is neo-anarchism. Distrustful of global governance institutions, and of the expert networks entangled with them, this approach looks to anti-systemic movements as agents of transformation. Valorizing the independent militancy of Occupy, WikiLeaks, and the World Social Forum, it affirms efforts to build counterhegemonic centers of opinion and will formation, far removed from circuits of institutionalized power. Aiming to counter the hierarchical logic of administrative rule, it seeks to reconstruct public sphere theory in a way that gives pride of place to autonomous direct action by subaltern counterpublics and “strong” (decision-making) publics in civil society. Where else, after all, are we likely to find democratizing forces that can advance the theory’s ideals under current conditions?
Every era defines its heroes. Ours is currently fixated on the innovating entrepreneur, creating something new that everyone must have. This type breaks the mold, striking out alone, even leaving school to do so. He (and he is usually a he) is designated as brilliant, sometimes charismatic, sometimes argumentative, often solitary in his vision, though gathering a team to put his vision into practice. His skills are more technical than poetic, more digital than prosodic. Neither poetry, nor prose is, by definition, entrepreneurial.
It’s important to have such innovators, but they are not necessarily heroic and they are not good role models for the millions of people already in the labor market looking desperately for work in an era of job contraction. Nor are they a good role model for the thousands of high school and college graduates entering the labor market each year.