© Bartek Muracki
Arts & DesignEssaysFeature

A Sign of Resistance; A Symbol of Hope

An Interview with Mateusz Halawa, Head of Social Sciences and Humanities at the School of Form in Poland


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Tiny piano from the studio of Pawel Romańczuk © Susan Yelavich
Arts & DesignEssays

Tiny Instruments Hit a Profound Chord

Multicultual creativity in the city of Wrocław

Last summer I was fortunate to be among the faculty of the Democracy & Diversity Institute in Wrocław, Poland, organized by Transregional Center for Democratic Studies (TCDS). Friendships were forged, ideas were tested, and disciplinary lines constructively crossed, all of which I’d been prepared for and had been looking forward to experiencing as the sole faculty member from Parsons among colleagues from the New School for Social Research.

What I hadn’t expected was that I’d develop a deep affection for the music of toy pianos. Specifically the toy pianos played by Małe Instrumenty (Small Instruments), a band started in 2006 by Paweł Romańczuk with Marcin Ożóg, Tomasz Orszulak, Jędrzej Kuziela and Maciej Bączyk.

Yes, toy pianos. Including a plastic Barbie piano, which, Paweł explained, has a very good sound, in contrast to their sole Communist-era piano called Precision whose keys emitted static…

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