FeatureReviews

Pragmatism’s Promise

One of the many definitions of “dialectic” is “a method of examining and discussing opposing ideas in order to discover the truth”; another is “discussion and reasoning by dialogue as a method of intellectual investigation.”  On either definition, Richard J. Bernstein is indisputably the most proficient and prolific dialectician working in philosophy today. His style has centered on the close reading of important figures who at first glance have little to do with  …

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Reviews

Hooray for Schlock: the Coen Brothers’ “Hail Caesar!”

(Caution: mild spoiler alert)

The films of Joel and Ethan Coen are very attentive to mood – plot, characterization, setting, all seem to be geared toward establishing a strong mood that commands and demands our attention more than anything else. Fargo and No Country for Old Men …

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CapitalismFeatureMedia/PublicsReviews

A View of Detroit’s “Beautiful Terrible Ruins”

From ruin porn to a call to action

Wayne State University art historian Dora Apel’s new book, Beautiful Terrible Ruins: Detroit and the Anxiety of Decline (Rutgers University Press, 2015) is the last word (at least, I hope it is) on the disreputable photographic genre known as “ruin porn.” Bringing her usual due diligence to bear, Apel digs deep, tracing the roots …

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FeatureReviews

Why Spinoza?

I must begin with a confession: I am a smoker. I know that smoking is dangerous for my health, but I keep doing it. I have tried to stop a couple of times, but always failed. What most puzzles me in this troubled relationship is that, when I first began smoking, I did not like it. Some people like their first cigarettes. I hated it. I guess, as a teenager, I did it only for the sociality of it. Yet, for some reason, I kept doing it, until I got addicted. Now, I …

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Arts & DesignReviewsSex & GenderThe Left

Not Fade Away: Joan Didion’s Hollywood Life

A review of the new biography

Who is Joan Didion anyway? In The Last Love Song: A Biography of Joan Didion, Tracy Daugherty decided to find the writer in her most public work. “Does the life reveal the art, the art the life?” he asks in the prologue (xxiii). If you find fault with The Last Love Song it will be in this decision — not in Daugherty’s entertaining style, which often reads like the New Journalism that Didion helped to establish; nor in his …

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Reviews

Magic Geography of the Cold War

In 1941, during World War II, German émigré sociologist Hans Speier wrote an essay in Social Research titled, “Magic Geography.” In this essay, he argues, “Maps are not confined to the representation of a given state of affairs. They can be drawn to symbolize changes, or as blueprints of the future. They may make certain traits …

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Reviews

A Grandchild of the Bomb

As Lindsey Freeman reminds us in Longing for the Bomb, Margaret Mead once worried in the 1960s about the still-youthful Oak Ridge, Tennessee (“The Atomic City”), becoming a “city without grandmothers” (p. 175), or a place where there are no guardians of the memory of Oak Ridge culture. Fittingly enough, though, Freeman’s grandmother becomes an important punctuation point in the book, …

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PsycheReviews

On Psychiatric Meds and Forgetting the Person

In Shrinks: The Untold Story of Psychiatry, Jeffrey A. Lieberman, Lawrence C. Kolb Professor and chair of psychiatry at Columbia University College of Physicians and Surgeons and former president of the American Psychiatric Association, states that “psychiatry’s dramatic transformation from a profession of shrinks to a profession of pill-pushers came through sheer …

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RaceRace/ismsReviewsSex & Gender

Margo Jefferson’s Coming of Age in Negroland

One of my fondest memories from the New School for Social Research Liberal Studies MA program comes from a course titled “Representations of Race and Gender in American Culture.” It was the day, about halfway through the semester, when co-teachers Elizabeth Kendall (author of feminist studies of early modern dance and 1930s screwball …

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Arts & DesignMedia/PublicsReviews

Art, Homicide, and the Anonymous Dead in Latin America

On the Teresa Margolles exhibit at the Neuberger Museum of Art in Purchase, NY

From July through October, the Nueberger Museum of Art featured these pieces, conceived by Mexican artist Teresa Margolles and executed by six groups of curators and embroiderers. Entitled “We Have a Common Thread,” these fabrics present a complex statement about violence in the Americas. Latin America is the region of the world with the highest murder …

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