EssaysFeatureLiberal Democracy in QuestionMedia/PublicsThe Left

Anachronism with a Kafkaesque Touch

Last Thursday, I received a message via Facebook messenger. The message’s author was (so it read) the Chief Censor of Israel’s Military Censor, one Colonel Ariella Ben-Avraham, and in it she demanded that I submit to the Censor’s warrant. Entering Ben-Abraham’s Facebook page showed a page that was almost empty — her name and picture only. In fact, it seems that the Censor was so embarrassed by all the publicity in recent days that she erased it. When I tried to enter the page today in order to write the post, it …

READ MORE →
CapitalismEssaysFeatureLiberal Democracy in QuestionMedia/PublicsRaceThe Left

#BlackLivesMatter and #Fightfor15

Building movements for racial and economic justice

It may be that in 20 or 30 years we will look back to 2015 as the year that things really began to change in the U.S. This was the year we saw the intersection of the movement for higher wages and Black Lives Matter really begin to crystalize.

Let’s go back to 2011. On September 17, activists began occupying Zuccotti Park in lower Manhattan, calling attention to the growing inequality between the 99% and 1%, …

READ MORE →
EssaysFeatureLiberal Democracy in QuestionMedia/PublicsRaceThe Left

Black Lives Matter: The Politics of Race and Movement in the 21st Century

Understanding the movement and what it represents

Where should we begin in accounting for the rise of the movement for black lives?

The tragedy of 21st century America is that there are innumerable places one could begin. The grievances that have sparked the cry, “Black Lives Matter,” might be rooted in the killing of black bodies at the hands of police, …

READ MORE →
Arts & DesignReviewsSex & GenderThe Left

Not Fade Away: Joan Didion’s Hollywood Life

A review of the new biography

Who is Joan Didion anyway? In The Last Love Song: A Biography of Joan Didion, Tracy Daugherty decided to find the writer in her most public work. “Does the life reveal the art, the art the life?” he asks in the prologue (xxiii). If you find fault with The Last Love Song it will be in this decision — not in Daugherty’s entertaining style, which often reads like the New Journalism that Didion helped to establish; nor in his …

READ MORE →