EssaysRaceRace/isms

Learning Baltimore

A student asked me whether I had arranged the Baltimore riots to take place now, at the end of our semester. The news out of Baltimore too perfectly illustrates so much of the history I teach. I suspect I am not alone in this odd feeling of validation — at once reassuring yet terrifying — that the patterns identified by historians are also incredibly important to activists. They may have never taken our classes. They live the experience that most historians merely describe in our research and teaching. “Sometimes,” Tom Sugrue declared recently, “I wish my scholarship wasn’t so relevant.” …

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EssaysLiberal Democracy in QuestionMedia/Publics

My Living Room as a Public Sphere

An Iranian experiment in free society

“I’m not certain that the ideal society should be religious. I start from the premise that the ideal society should be secular.” So spoke documentary filmmaker, Mehran Tamadon, in a conversation with the four conservative mullahs, advocates of the Islamic republic, he invited to be part of his new movie Iranian. The conversation consists of five men sitting in a living room in Iran, arguing about the ideal society: this is pretty much the plot.

Behind closed doors, the mullahs’ wives are relegated to the bedrooms as their children play in the garden; in the living room, the four clerics and the self-avowed atheist embark upon a fascinating experiment. …

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Arts & DesignEssaysLiberal Democracy in Question

Germany’s Awkward Farewell to Günter Grass

Can good poetry also be a good politics? I am paraphrasing a question that I have heard Jeff Goldfarb asking on several occasions. Günter Grass, German novelist, poet, sculptor, and a Nobel Prize laureate, delivered both — the finest literature and daring political insights. With his departure, Germany and the world have lost one of the last novelists who practiced the art of modern novel that Milan Kundera understood as being intrinsic to the existence of modern individual. Grass’ss novels capture depths and intricacies of human experience that he reiterated in epic yet unheroic stories free of pathos and sentimentality. …

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