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In what may be her most ambitious piece yet, Chiara Bottici recently published a call for a continuation of debates around intersectional oppression along the lines traced out by anarchist thought. Somewhat surprisingly, though, Bottici avoided making explicit reference to some of her previous work, which, though it may be thematically removed, is crucial to understanding the approach taken in “Bodies in Plural.” …

In 2013, reports starting circulating in the media that the global best-seller 50 Shades of Grey was beginning to outstay its welcome as a cultural artifact. In the UK alone, it sold 5.3 million copies to that point, even before the film based on the story was released. A large percentage of these books ended up in charity stores. Unfortunately, these stores could not resell the books, nor pulp them safely. As the Telegraph newspaper reported at the time: “the country has amassed a ‘paper mountain’ of unwanted copies . . . 

Philosophy is suffering gender-wise (and here I bracket for the moment class, race, and sexuality) — see Sally Haslanger’s “Women in Philosophy? Do the Math” in The Stone. But the gender trouble is not simply a matter of representation in the field. The problem also entails a regretfully enduring elision in the transmission of Western thought, a continued forgetfulness of invaluable labor …

Who is Joan Didion anyway? In The Last Love Song: A Biography of Joan Didion, Tracy Daugherty decided to find the writer in her most public work. “Does the life reveal the art, the art the life?” he asks in the prologue (xxiii). If you find fault with The Last Love Song it will be in this decision — not in Daugherty’s entertaining style, which often reads like the New Journalism that Didion helped to establish; nor in his …

One of my fondest memories from the New School for Social Research Liberal Studies MA program comes from a course titled “Representations of Race and Gender in American Culture.” It was the day, about halfway through the semester, when co-teachers Elizabeth Kendall (author of feminist studies of early modern dance and 1930s screwball …