Search Result for “me too”

By my title,“The War on Fascism,” I do not mean the war between the US, the Soviet Union and Great Britain, on the one hand, and Nazi Germany, Mussolini’s Italy and imperial Japan on the other, the war that took place between 1939 and 1945. Rather I mean an unspoken war on the concept of fascism that increasingly characterizes our understanding of World War Two and informs discussion of contemporary problems, such as Ukraine. Although the term “fascism” is still in use today, it generally refers to real or supposed dictatorships, such as those of Saddam Hussein or Vladimir Putin, and has lost its original connotation, that of an authoritarian but still capitalist state. Because the original meaning of “fascism” was aimed not at dictatorship, but at the relation between dictatorship and private property and market power, the term had a critical or self-reflective character. Understanding the loss of this character can help us understand the history by which present political discussions, for example those concerning Putin, have become impoverished. …

“Where are the sensitive machines … ?” So goes part of a tweet reproduced on the flyleaf to Sherry Turkle’s Alone Together. The lament is not new. Over 30 years ago the designer and design theorist John Chris Jones pointed to the low sensitivity of technical systems to humans and contrasted this with extreme adaptations that technical systems demanded of their human subjects. Adorno, in 1942, had already thought something of the same. Rejecting the common idea that technology is somehow “outside” of us, he insisted on the contrary that “the new human type” as he put it, “cannot be understood without awareness of what he is continually exposed to from the world of things about him, even in his most secret innervations.” And he added for good measure: “Technology is making gestures precise and brutal and with them men.” …

When first published in 2002, The Rise of the Creative Class quickly established its author Richard Florida as an urban policy and business management guru. The Rise of the Creative Class heralded the emergence of a new class of worker who promised to lead the economy, and along with it the rest of society, to unprecedented levels of prosperity. The creative class, according to Florida, included scientists, engineers, artists, designers, media producers, and others whose primary function is “to create new ideas, new technology and/or creative content.” They are abetted in this endeavor by a whole host of high-level information workers—doctors, lawyers, accountants, educators, and the like—who draw upon complex bodies of knowledge to solve difficult problems that require high degrees of autonomy. To mark a decade of influence, the book was re-released in 2012 in a substantially updated version, The Rise of the Creative Class, Revisited, now out in paperback. …

This is the prepared text of a contribution to a conference of the Europe for Citizens Forum in Brussels on January 28th, 2014.

The title of this discussion employs the metaphors that describe walking into the calamity of WWI, as framing both the ways Europeans remember the 20th century, and even more alarming, as reflecting a mode of uncritical observation which may lead to other calamities, wittingly or unwittingly, in the 21st.

Before we mark the “will to memory” by disasters past and present, informed by a version of a quote from Primo Levi, which one encounters upon entering the Holocaust Memorial in Berlin: “it happened, and therefore it can happen again. This is the core of what we have to say”; before this, I say, we ought to take a step back, to the division between remembrance as a form of thinking, and remembrance as warning (In German: gedenken, mahnen). …

The 1930s was one of the one eventful and productive decades in Dewey’s life. He published more than a half dozen books including Logic: The Theory of Inquiry. It was during this decade that he sharpened his understanding of radical democracy and a renascent liberalism. He interrupted his scholarly work to travel to Mexico as the Chair of the Trotsky Commission — or to give its full title, “The Commission of Inquiry into the Charges Made against Leon Trotsky in the Moscow Trials.” …

Over the last decade the field of positive psychology has become a burgeoning area of research within academic psychology. Well known figures in positive psychology include Martin Seligman (developer of the well known learned helplessness model of depression and past president of the American Psychological Association), Mihaly Csikszentmihalyi (creator of the construct of flow), and Daniel Gilbert (author of the widely acclaimed Stumbling on Happiness). The field of positive psychology focuses on developing a scientific understanding of positive human experiences and virtues. Important research areas include happiness, optimism, fulfillment, compassion, and gratitude. The field positions itself in contrast to traditional approaches to mental health, which focus on psychopathology and treating mental illness. The roots of positive psychology can be traced to the field of humanistic psychology, which peaked in popularity during the 1960s. Well known pioneers of humanistic psychology included Abraham Maslow, Carl Rogers, and Fritz Perls. …