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Two films frequently cited together on the best films lists for 2013 were Gravity and All is Lost. As many reviewers noted, the films featured isolated individuals up against the cold, impersonal forces of the universe — the dark void of outer space for Sandra Bullock in Gravity and the dark depths of the Indian Ocean for Robert Redford in All is Lost. Less noted was a crucial difference between the two films: Sandra Bullock survives and Robert Redford dies. Intrinsically connected to these outcomes is another difference: Gravity is the story of a woman; All is Lost is the story of a man. Through examining this difference we can learn how contemporary film achieves its effects through mobilizing unconscious mythic and archetypal images, especially those concerning gender.

In both films the main character is faced with the ultimate existential crisis: imminent death. In both films the characters are resourceful and draw on considerable inner resources in their struggle to survive. In both films the essence of the struggle lies in the characters’ efforts to connect with other human beings. …

We write as members of a group of faculty from different parts of the New School who are working to return graduate-level gender and sexuality studies to the university. Our project is an unusually collaborative one, drawing on the work of colleagues from a wide range of programs and disciplines. Our aim in posting this piece is to start a conversation about these matters right away, even while our proposed program is still in the development process. What interests us is discussion about what we see as the powerful case that can be made for the intellectual and political importance of gender and sexuality studies not only in general but at the New School in particular.  We invite responses from anyone in the larger community who is interested in weighing in.

Let us start with some reflections about what is distinctive about the New School.

One of the founding myths of our university is that it places social research in the service of liberating and transformative social action…

For decades psychoanalysis dominated professional approaches to mental health in the United States and had an influential impact on our culture. Starting in the late 1960s, however, psychoanalysis has become increasingly marginalized. Here, I will argue that psychoanalysis has always contained both subversive and conservative threads. As the historian Nathan Hale argued, Americans modified psychoanalysis to solve a conflict between the more radical implications of Freud’s views and the conformist pulls of American culture. This process of domestication enabled Americans to enthusiastically embrace psychoanalysis for a period of time. But they did so at the cost of transforming psychoanalysis in ways that ultimately contributed to its decline. Yet, ironically, the current marginalizaton of psychoanalysis may contain the seeds of a more radical psychoanalysis that serve as a healthy and constructive counter-cultural force moving forward…