Edward Hopper: Solitude and Light

A new exhibition is at the Whitney until March 5, 2023

If there’s a sure thing in the art world, it’s that any Edward Hopper show will be both an artistic and audience success. The current exhibition at the Whitney until March 5, 2023, “Edward Hoper’s New York,” is certainly a success on both levels....

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Edward Hopper: Solitude and Light

Interference Archive Traces the History of Racist Policing in America

Defend/Defund, a welcome new exhibit at Interference Archive, through January 29

The exhibition is in part a response to George Floyd’s murder, and of Mike Brown, Trayvon Martin, and Philando Castile before him. But its scope is much broader. Hung on just about every wall are posters, newspapers, pamphlets, zines, and even buttons that catalog the long history of negative police ...
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Interference Archive Traces the History of Racist Policing in America

Making Experiences Our Own: A Review of The Amen Corner, 2021

For years, Ijeoma N. Njaka was afraid of failing to understand James Baldwin. Then she went to see his play

It is by no means guaranteed that a potential audience member will automatically make a connection between their life experiences, interests, knowledge, emotions, or memories with a piece of art. Interpretive or educational materials, however, can help a viewer create a personally meaningful connection with the art itself....

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Making Experiences Our Own: A Review of <em>The Amen Corner</em>, 2021

Introducing the Latest Issue of James Baldwin Review

Honoring Baldwin’s legacy in a new volume of academic research, criticism, and personal essays

As we continue to bring together a mixture of scholarship, reviews, and reflections—from a variety of voices—it is our humble aim to continue to grow our readership and expand the legacy and impact of our namesake author’s moving works and searing insights. ...

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Introducing the Latest Issue of <em>James Baldwin Review</em>

Turning Art into a Political Weapon

Scholars Terri Gordon-Zolov and Eric Zolov discuss the aesthetics and significance of the Chilean estallido

Wearing protest iconography was also a way to support the movement. And it was potentially risky. You could wear a handkerchief to cover your eyes from tear gas or to make yourself more anonymous or you could wear a green scarf to support reproductive rights. ...

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Turning Art into a Political Weapon

The Walls of Santiago

How the Joker and Pikachu become symbols of the Chilean social uprising, in an excerpt from Terri Gordon-Zolov and Eric Zolov’s new book

Humor provided a powerful weapon in the fight to topple the civic-military dictatorship. The radical deprivation of human rights during the Pinochet regime had secondary costs, among which were the loss of a sense of freedom, spontaneity, and overall well-being. ...

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The Walls of Santiago

The World’s First Revolutionary Artist

Was Jacques-Louis David an opportunist? Or a passionate propagandist?

Jacques-Louis David Radical Draftsman is a fitting exploration of the first great radical artist, a master of propaganda whose greatest triumphs were a result of his unflagging willingness to place his enormous talents at the service of his deepest political beliefs. ...

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The World’s First Revolutionary Artist

Souvenir

Adapted excerpt from Activities of Daily Living

For her project about the Artist—at least that’s what she was calling it for now, a project—Alice read all that she could find about his yearlong performance works before he renounced making art altogether. There was the year he locked himself in a cage. The year he punched a time clock ...
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Souvenir