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An exhibition now touring several cities in Europe is worth visiting and thinking about, as it reflects both the political and cultural sensibility of Europe. PIGS is curated by Blanca de la Torre, a Spanish art curator who develops projects throughout the world and understands art as a social tool to disclose political injustices and prejudices. The “pigs” to which this exhibition refers are not simply the four countries (Portugal, Italy, Greece, and Spain) …

Something of Shia LaBeouf’s name stands in, perfectly, controversially, for what is now happening to us, across us, as a kind of general FKA-transing of all available terms. Around the time Caitlyn Jenner came out, there was talk of an intersectional “trans-”: a trans for race and class and even for ecographic sub-constituencies. During Occupy Wall Street, the same talk happened, and then nothing happened, and a few people said it was still on, and then nothing happened.

Intersectionality seems to be the least sustainable piece …

Walter Benjamin’s strategy in the Theses on the Philosophy of History was to focus on a non-human moment in human time and to present this instance on blast in his prose style. What I mean by “blast” here is the fact that the message had to be pirated past ideological hangers-on and historical barriers, past both Marxist and theotropic renditions, and also past the Nazi episode that might have been his more obvious target in 1940. His prose is clear but depth-charged, resonates at another frequency, still as if exploded past the imaginary proscriptions of Theodor Adorno, who was already in situ in New York …

Along the Limmat River in Zürich, the Swissmill building is in operation at full clip around the clock. Originally a textile factory, the site at Sihlquai was converted to a grain mill in 1843. By 1876 it was considered the most modern milling facility on the European continent with its use of chilled cast iron rollers for cracking open wheat grain and separating the outer layer of bran. Now a patchwork of buildings that harken back to different eras of growth and expansion, the Stadtmühle  (or City Mill) exterior conceals a complex, digitally controlled high-tech organism that vibrates with the mechanical rhythms of modern production.   …

One way of understanding Shia LaBeouf’s “Just Do It” motivational video is as a translation of Bernard Stiegler’s recent work about “escaping the anthropocene.” And vice versa. Reading Stiegler’s essays and watching LaBeouf’s video are essentially the same experience: one feels exhilarated, thrilled, excited (as if one might really do the impossible) and then a little disappointed.

Stiegler’s latest essays, many translated into English by Daniel Ross, sharpen the thought of a new type of urgency and are in some ways quite simple. This thought of urgency — figured as an “alternative” — is expressed succinctly at …

When entering the bookstore of the 56th Venice Biennale of Art, you may think that having Marx’s Capital, Benjamin’s Theses on the Philosophy of History, and the official catalog of the Milan Expo 2015 displayed next to each other is just a fortuitous — and not particularly happy — coincidence. Expo 2015 cost 14 billion euros, utilized thousands of people who worked for free or low wages and in precarious conditions, caused major environmental damage …

On a brilliantly sunny, fall afternoon, a dozen members of Witness Against Torture — a grassroots group long dedicated to closing the prison camp at Guantánamo — broke from our marathon strategy meeting to see the GTMO-themed installation of the renowned performance artist Laurie Anderson. Titled “Habeas Corpus,” the groundbreaking exhibit was up …

September’s edition of that venerable and elite journal of contemporary capitalism, the Harvard Business Review, is devoted to the evolution of something called “design thinking” and its role in current business practices. We are all likely familiar with the way in which design has come to play a central role in the viability of almost all consumer products, but …

Two years ago, I thought opera was dead and, being a great lover of it, I invited you to celebrate with me a nostalgic funeral eulogy for the beautiful daughter of the Italian Renaissance. Saturday night, for the first time since I wrote that piece, I had the impression it has been resurrected.

The Bonfire of the Vanities, with music by Stefania de Kenessey and libretto by Michael Bergmann, premiered on 9-10 October at El Teatro at El Museo …