Search Result for “media”

I am in mourning and in withdrawal. I am losing my two nightly sanity fixes, Stephen Colbert and Jon Stewart. I’m left with my morning fixes: running, swimming and cycling. Sleeping will become more of a problem. I published this piece a number of years ago in Deliberately Considered. I might want to expand on it, exploring the importance of televised political satire and the American social condition. 

Neil Postman was a famous media critic. He thought that the problem with television was not its content but its formal qualities as a medium. It presented a clear and present danger. …

In a new paper for the Institute For New Economic Thinking’s Working Group on the Political Economy of Distribution, economist Lance Taylor and his colleagues examine income inequality using new tools and models that give us a more nuanced — and frightening — picture than we’ve had before. Their simulation models show how so-called “reasonable” modifications like modest tax increases on the wealthy and boosting low wages are not going to be enough to stem the disproportionate tide of income rushing toward the rich. Taylor’s research challenges the approaches of American policy makers, the assumptions of traditional economists, and some of the conclusions drawn by Thomas Piketty and Larry Summers. Bottom line: We’re not yet talking about the kinds of major changes needed to keep us from becoming a Downton Abbey society. …

How do memorials shape who we think we are? And how do we “do” identities when we interact with memorials? As Salon.com and others noted, gay men have been using the signature concrete slabs of the Berlin Memorial to the Murdered Jews of Europe as backdrops to their profile pictures on grindr, a geo-social app that lets those have have logged on find each other that is popular with gay men. In Salon’s account, the combination of the memorial and the anticipation of erotic pleasure is “odd” and “peculiar.” The Memorial appears as a “prop” for self-presentation. The trend is portrayed as equivalent to the EasyJet airline’s 2009 fashion shoot for an in-flight magazine at the memorial. …

Clinical psychology first emerged as a formal subdiscipline within psychology in the aftermath of World War II. During the war, psychologists were initially hired by the military to play a role assessing recruits for psychological stability, combat readiness, and potential for officer training. They were also charged with the task of evaluating whether soldiers exhibiting symptoms of psychological trauma were experiencing bonafide psychological problems or malingering. Over time as the massive prevalence of psychological trauma became apparent, the demand for professionals capable of providing psychological treatment far exceeded the supply of available psychiatrists, and psychologists increasingly came to play a role as treatment providers as well. …

A federal prosecutor in a democratic state accuses the elected president of a major cover-up. Alberto Nisman is scheduled to explain the cover-up in Argentina’s congress when, hours before testifying, he mysteriously dies in his apartment. What kind of democracy allows this to happen? In the context of such events, what will be the fate of this democracy? As a result of Alberto Nisman’s death, Argentina is facing a traumatic shock, one without precedent in the last two decades of its young democracy. …

I remember the week after September 11, 2001, when the subway from Brooklyn into Lower Manhattan was back in limited service, getting off at Broadway-Lafayette and feeling somewhat disoriented when my usual landmark indicating south, the World Trade Center, was missing from the downtown skyline. The specter of the World Trade Center was soon enough evoked by Art Speigelman in his September 24, 2001, New Yorker magazine cover of the Twin Towers as black silhouettes against a black background. The Twin Towers haunted the New York skyline again a few months later in the Tribute in Light installation of 88 search lights configured in the buildings’ original footprints and projected upward into the night…

The time I saw Charb in Paris was January 24, 2010, the day of the crowded commemoration of the French philosopher and activist Daniel Bensaïd at La Mutualité. During the speeches, Charb kept drawing and projecting vignettes about his comrade Daniel, whose book, Marx: Mode d’Emploi, he had illustrated a year earlier. In the deep sadness that filled the big room his vignettes constantly reminded us of Bensaïd’s subtle humor, of his little malicious smile with which he used to charm us all, slowly helping us to heal the loss. Director of the satirical magazine Charlie Hebdo, Charb was one of the ten cartoonists and journalists killed, together with two policemen, in the ferocious attack of January 7, 2015. …